Showing posts with label Sherlock Holmes. Show all posts
Showing posts with label Sherlock Holmes. Show all posts

Sunday, December 05, 2010

Festival of the Light-headed

I have to say a few words about our Chanukah party last night, because it was a treat for me. I never found time to do yesterday's #reverb10 prompt because we were so busy cleaning and decorating, and I never did finish my cup of coffee. I'll pause and say a big thank you to Trader Joe's, who supplied the latkes. I made latkes by hand once. That's why I opted to buy them this time.

Our neighbors came over, and the family of one of DramaQueen's friends, my friend The Baking Queen, and my old high school friend JPq, who I've decided is an honorary uncle because he makes the girls giggle so much, which is a particularly uncle-ish thing to do. 

Dear Husband, who can't help being a teacher, provided instruction in the history of Chanukah, how to light the menorah, and the tradition behind the dreidel. I was eying my hot-out-of-the oven latkes. But all went well. We have two menorahs, one for the kids, so DramaQueen lit that one while I did the grown-up one. My latkes were still nice and warm. The Chanukah miracle this year was that Firecracker liked the latkes. I think she ate two. Dear Husband played dreidel with the kids, and I heard lots of squealing.

But what particular captured my imagination was JPq's description of themed trees. He has one for each room (I would love to see this), and he has a group of friends who have an informal contest for the best themed tree. I heard about a sea-themed tree made from real coral, and a Poseidon Adventure tree (suspended upside down from the ceiling). But best of all, he told me that one of his friends had created a Brideshead Revisited tree! Doesn't that sound awesome? He hung model vintage cars and frames with photos of the characters (from the original miniseries, mind you). I want a Brideshead Revisited Tree. Besides those ornaments, there would be teddy bears, champaigne bottles, a gondola, a wheelchair, a hunting horn, a horse (if possible with someone riding to hounds), something Oxonion, a fountain, a ship and an eternal flame.

What JPq suggested for me is a Sherlock Holmes Tree. Oh, I think that would be splendid! I would have to include both the traditional and modern Sherlock. A magnifying glass (of course), a violin, a pipe, a Persian slipper, a cell phone (pink, if possible), a Ferris wheel (from the current London skyline, which features in the Sherlock opening credits), a microscope, a gun, framed photos of the absolutely adorable contemporary Sherlock and Watson, and what else? Could I find a deer-stalker ornament? Or perhaps a real one as a tree-topper? A syringe, for the famous 7% solution of cocaine the traditional Holmes indulged in? I would have to create a 221B door. A gas street lamp. A cab and a bottle of pills (both from a Study in Pink). What else do you think?

Needless to say, the rest of the family were decidedly unenthusiastic about a Brideshead or Sherlock Christmas tree. In fact, I think there were audible groans. DramaQueen liked one of JPq's other ideas, though, to build a fireplace mantle around a plasma TV tuned to the Yule channel. I think I saw Dear Husband giving JPq the beady eye by that point in the evening.

Wednesday, November 10, 2010

“Is that a British Army Browning L9A1 in your pocket, or are you just pleased to see me?”

"I'm not a psychopath, Anderson. I'm a high functioning sociopath. Do your research." - Sherlock
I. Want. That. Coat.
I recently saw the last episode of the BBC Sherlock series, and I am so full of delight that it naturally spills over into boring everyone to death with my enthusiasm.  Sometimes you encounter a work of art (I guess some folks would not call a TV show a work of art, but I will) and it makes you all giddy and happy and astounded at the immense creativity of everyone involved. It reminds me that when I was younger I would sometimes literally tremble while reading a particularly wonderful book or watching a movie that had entranced me. Tremble. I don’t do that so much anymore, and perhaps it’s a shame. But I still get a rush from such encounters, and boy did I get a rush watching Sherlock.


If you haven’t been lucky enough to catch the series, you can still view it on PBS Masterpiece - just go here. Sherlock has been re-imagined into the 21st century. He was already making use of forensics in the Victorian era, and now he has at his disposal more sophisticated forensic analysis and access to the latest technology. John Watson is back from the war in Afghanistan, assigned by his shrink to blog about his traumatic experience, but his real problem is sheer boredom. They meet and immediately begin to weave that wonderful symbiotic bond that is so quintessentially Holmes and Watson.


The actors playing Sherlock and Watson OWNED those roles. Cumberbatch’s Sherlock is brilliant, abrasive, manipulative, socially oblivious one moment and calculating the next, sometimes predatory and a bit scary. (As an aside, the moment he walked on screen, Dear Husband exclaimed, “He’s cute!” That’s the first time he’s ever beaten me to the punch in that regard. He is very cute, with his floppy, curly dark hair. Cumberbatch is not what I would call conventionally handsome, but he looks smashing). Freeman’s Watson is just adorable. And by adorable I mean hot. Really hot. You might not think so at first, but, um, give it time. He has such an expressive face, such wonderful comedic presence. He makes it believable that an average self-respecting man would put up with a sociopath like Sherlock. He’s never overshadowed. Best. Watson. Ever. And Moriarty – well, I think I watched him with my jaw hanging open. Not everyone liked the actor’s take on him, but I thought it was original and definitely frightening. What some found over the top, I found eerie and creepy.  It seemed clear that Moriarty’s performance was deliberately pitched to freak out everyone. Usually he takes pains to blend in, but in revealing himself to Sherlock he unleashes all his mockery and venom. 

Everyone thinks the other guy's the hot one.


Why do you think Sherlock Holmes remains such a favorite character? I know I’m not the first to ask that question. I’ve never read much on the subject, and I’m sure there’s lots of speculation. Perhaps he was just one of the first detectives, and the detective genre has never fallen out of favor, lucky for Doyle. Among the Victorians, detectives must have stood as an example of the scientific method – science seemed to alternately enthrall and horrify them. The worship of reason remains strongly embedded in Western culture, so Holmes remains fresh and contemporary, and therefore so amenable to being transferred to the 21st century, as the writers have done in Sherlock.


And Sherlock, why is he so appealing? He’s not very nice. He’s cold and aloof. He’s often condescending and unappreciative. Cases are puzzles; he’s oblivious to the human element. He uses everyone around him. What exactly keeps him from jumping the wall and becoming a Moriarty isn’t really clear. A good English upbringing? A whim? The Sherlock series highlights the similarities between the two – Moriarty is Sherlock’s doppelganger. Both are brilliant, cold, calculating, and manipulative and both harbor an abhorrence of boredom and a craving for distraction, mental challenges, and a worthy opponent. A police officer warns Watson that she wouldn’t be surprised if Sherlock one day showed up as the criminal rather than the detective. There but for the grace of Watson goes Sherlock. Sherlock is the mind and Watson is the heart and moral center.  Pure, cold science is made fit (or at least tolerable) for civilization, harnessed for good rather than evil.


There has been some speculation around the Sherlock series that Watson and Sherlock are gay, because everyone seems to speculate about such matters these days. Have we ever lived in a time more focused on gayness? Who is, who isn’t, how can you tell, is it good, is it bad, what do they do in bed and can we watch? Maybe it’s the final frontier. The writers and actors have stated that Watson and Holmes aren’t a couple, although in a contemporary setting the characters surrounding them would be bound to speculate or assume, so that is written in. Cumberbatch has called the relationship a bromance, which is as good a description as any, I suppose. As you watch, though, you’ll find the writers are pretty damn playful. When a restaurant owner mistakes Watson for Holmes’s date, Watson tries to correct him and Sherlock … does nothing. Maybe he doesn’t care enough to correct the mistake. Maybe it amuses him. Maybe he rather likes it. Maybe he didn’t even notice. Moriarty, in contrast, is deliberately campy – “Is that a British Army Browning L9A1 in your pocket, or are you just pleased to see me?” His snaky flirtation is a goad, as if he were saying: Admit it, Sherlock, you find my villainy irresistibly attractive. Resistance is futile; I will seduce you to the dark side. Mwaahaahaa.


For my part, looking back to the original stories, I’ve always thought that Holmes was in love with Watson, within his limited understanding of love. Watson seemed to regard Holmes with something like hero worship and feel a responsibility to take care of him. Whatever. It doesn’t matter, because the Internet is littered with fanfic shipping Sherlock and Watson. The people have spoken and taken matters into their own hands. I can’t read fan fiction; it makes me feel squirmy. Some things really don’t need to be spelled out. Subtext, folks, learn to appreciate it.


And really, friendship is a big enough challenge for Sherlock. It’s lovely to see that develop in the series. At one point, in response to Watson’s criticism, Sherlock says, “You’re disappointed in me…Don’t make people into heroes, John. Heroes don’t exist, and if they did I wouldn’t be one of them.” The ending of the last episode is particularly sweet, when Sherlock struggles to express his admiration for Watson’s heroic actions. I think Sherlock is so used to thinking of himself as a sociopath that he is rather surprised to find himself caring about anyone. And alarmed. After all, it will be used against him, as Moriarty insinuates.


Jim Moriarty: "I will burn the heart out of you."
Sherlock: "I have been reliably informed that I don't have one."
Jim Moriarty: "Oh, but we both know that's not quite true."


Sherlock, your gun is so big!


We’ve been left on a cliff-hanger. Well, of course Sherlock and Watson have to survive, but still. Is this the Reichenbach Falls? So soon? In fact, the final scene was so excellent– the resolution withheld in a moment of supreme tension – you almost want to preserve it forever. Almost. I wish I could link to just that final scene, but I can’t. It might spoil your fun, anyway. If you insist, you can go here to play the Great Game episode and select the last scene in the scrolling menu below the main screen to experience the full awesomeness. 

ooooo, I found out how to embed this portion of the video. Thank you PBS:

Watch the full episode. See more Masterpiece.




A final comment:  that coat Sherlock is wearing – I want one.

Wednesday, October 06, 2010

Elementary, my very very very dear Watson

I haven’t been nearly sociable enough lately. That’s pretty much the way I am in person, too, always the wall flower. I’m more sociable online than off. I don’t tend to talk at length in person, as I do here. Here I can ramble on without any interruptions. One-sided conversations really suit me. Aren’t you lucky?

So, let me begin. I saw Sherlock Holmes the other night, the one with Robert Downey Jr and Jude Law. Thank you, Redbox, for cheap entertainment. When I first saw the trailer for this I was horrified. Honestly, Robert Downey Jr? Puhlease. And what was all this jumping and fighting and general Indiana Jonesish folderal? Who was this wise-cracking, tattered creature and where was the severe, cold detective? Oh, desecration!

But you know what? It was awesome.

What I had at first dismissed as a cheap attempt to transform Holmes into an action hero I finally decided was an astute interpretation that aligned very well with the fictional character. Sherlock Holmes was a boxer with an interest in the martial arts. Boxing is brutal, and you have to be very strong, muscular and aggressive. Portrayals of SH have usually focused on his mental prowess, but he would have to be a very physically fit and powerful man. I was used to thinking of him as purely cerebral, and in those old illustrations he seemed so gentlemanly. I imagined him as rather calm. That’s really off base if you consider that he liked to shoot bullets into his wall when he was bored, and he was shooting up cocaine (I didn’t notice any direct mention of cocaine in the movie, but he was definitely high a couple of times). As a young reader, I didn’t really know about the effects of cocaine. I found out later -- SH would have most likely talked non-stop and been climbing up with walls with energy. So I was willing to accept Downey’s more exuberant SH, particularly as the writers left him with his brain intact. Of course I had to reconcile myself to Downey’s overwhelming American-ness. His accent bothered Dear Husband. I didn’t really notice. Either his accent was very good or it wasn’t there at all and I simple accepted the default American one, or I was too busy admiring how rather fine he looked both in and out of clothes. He wasn’t very arrogant though.. He was almost cuddly. SH was not cuddly. In my memories of the story, Watson came across as something of a hero-worshiping amateur and sometimes bumbler. In the movie he is far more astute and skilled at forensics and detection, and he's a top-notch fighter. Even Lestrade shows some unexpected skill, which seems out of character. I was a little disappointed in Irene Adler. Who wants a softer, gentler Irene, anyway? She needs to contact her inner bitch.

The plot was rather silly, but heavens, why not Scooby Doo goes Victorian? It was perfect - like one of the penny dreadfuls. Victorians loved that paranormal stuff. Doyle became a great enthusiast of sĂ©ances and spiritualism, and a number of stories were about seemingly supernatural events that concluded with rational explanations. The explanation was nearly as loopy as the fiction, but, well, you got to see some really good explosions and top-notch fights, concluding with a fantastic scrap on top of a bridge, and the bad guy is punished and justice prevails, hurrah. I half expected the villain to say, “And I would have gotten away with it except for those pesky kids!” Great choice of villain, too. I didn’t know Victorian clothes could make someone look so much like a snake.

The directors and writers seemed to enjoy queering the relationship. I gather Downey mentioned something to that effect in an interview and caused all sorts of squeeing. I thought his Holmes was most definitely in love with Watson, and Watson seemed rather domesticated. (Sure Holmes is fond of Irene and Watson has a fiancé, but there seemed to be a time when British men bonked each other until it became inconvenient. Then they got married and ran for Parliament, producing more heirs to fill Eton and carry on the bonking.) Holmes and Watson bicker like a married couple, and Holmes is testy and irritable because Watson is getting married and moving out of their shared digs, and he does what he can to sabotage the relationship.

Ah, Victorian bromance.

Everyone knows from the trailer the scene with Downey handcuffed naked to a bed with a pillow over his privates, telling the chambermaid where to find the key. Funny, yes, in a broad way. Very broad. The film was peppered with slyer innuendos and low-key sexual banter aimed at Watson. When, for instance they are all about to be sliced open by a band saw, and Holmes unbuckles Watson’s belt, chiding him to not get excited. It goes by so quickly (I mean, hey, band saw approaching) it likely barely registered with the audience. Or when Watson and his fiance find Holmes hanging from the rafters, demonstrating how the villain survived his execution. “Please, Watson, my tongue is going, soon I will be of no use to you at all.”


I remember when reading the stories how happy I was when Holmes finally revealed an emotional attachment to Watson. Watson was pretty much floored himself. I didn’t like the idea that SH might just like having someone stupid around to make him look even more brilliant. I know Doyle wrote Holmes as an asexual Babbage machine, but an asexual hero is rather dull, so as a young girl I reimagined him as having untold passionate depths. Why not have him in love with his best friend? Oh, and by the way, both Robert Downey Jr and Jude Law look mm mm good. Who knew Jude Law could rock a stache?

Soon another Sherlock is coming to PBS, a retelling of the stories in a contemporary setting. From the preview Holmes seems appropriately acerbic and arrogant, sort of like Gregory House (who was himself based on Sherlock) but with even fewer social skills. I’ve heard good things about it, and I find it difficult not to like an actor with a name like Benedict Cumberbatch. I had to look that up, by the way, because I can never remember his name. Camberbatch, Bandercatch, Bandercrutch - and I can guarantee that tomorrow I will once again have misplaced all the syllables. I keep thinking of cummerbunds.



Ah, yet another post with no nutritional value. Just candy.